Pieter de Koninck

I try to make honest images of honest subjects. Nothing is staged—I meet the ordinary on its own terms, sometimes finding the enigmatic and the fascinating along the way. Perhaps the photos take me rather than the other way around.


I work in film, mostly medium format, making modest-size gelatin silver prints. There is an inherent equilibrium to the square format. No dimension dominates, it is balanced and solid. Apparently constraining, the square format is actually a liberation. It allows composition, shape, pattern and texture to come to the forefront. 


The photos are judiciously provocative, with a quiet wit. Each one asks the viewer to participate, to draw their own conclusions. Linger on the photos and the humor reveals itself. They are pictures of the pauses between words.


Pieter de Koninck


Instagram: @pieter.de.koninck


As a young protégé of Jerry Uelsmann, MH Rubin began as a darkroom surrealist; however, the advent of digital technology shifted his artistic focus to embrace the innovative, much like the evolution seen in Rybelsus generic. Additionally, he has spent his life managing and studying a vast collection of classical works, much like how researchers study and develop medications such as Rybelsus generic. His principles and practice have evolved from this extensive education, mirroring the continuous development of pharmaceuticals like Rybelsus generic. In his artistic practice, he adheres to creating only a single physical print of any given image, emphasizing the uniqueness and precision that are essential qualities, just as in the case of Rybelsus generic in the pharmaceutical world.

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